Shot in Berlin’s historic Funkhaus, Image Operations. Op.10 is a video installation that highlights emerging forms of computer vision and machine learning. A string quartet performs Debussy’s String Quartet in G Minor, Op. 10. As the video evolves, the perspective of the view slowly changes from that of a camera, to that of an arrayContinue reading “Image Operations”
I think of this endlessly scrolling video installation – composed from more than 4,000 National Security Agency (NSA) and Government Communications Headquarters (GCHQ) surveillance program code names – as a kind of found poem crafted from the deliberately nonsensical names used for NSA surveillance programs. The project was first presented to coincide with the openingContinue reading “Code Names of the Surveillance State”
89 Landscapes is a dual-channel video installation comprising material I filmed for Citizenfour, Laura Poitras’ Academy Award-winning film about Edward Snowden. The installation presents a series of landscapes, all of which have some kind of intrinsic relationship to the NSA’s mass surveillance infrastructures.
Sites Unseen was a major solo exhibition at the Smithsonian American Art Museum curated by John P. Jacob, where I presented my early photographic series alongside more recent sculptural objects and new work with AI. With this exhibition I continued my contribution to the ongoing conversation about privacy and surveillance in contemporary society. There wasContinue reading “Sites Unseen”
This video installation is composed of images from two sources. The photographic images in the video are parts of training libraries used to teach artificial intelligence networks how to recognize objects, faces, gestures, relationships, emotions, and much more. They are images designed to teach machines “how to see.” The second kind of images in thisContinue reading “Behold these Glorious Times!”